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Beeline Uzbekistan — Mosaic Facade

MuralIllustrationTashkent · 2024
Context

Beeline Uzbekistan’s Tashkent HQ needed something for its facade — not a poster, a landmark. I anchored everything on their base station and built a mosaic world around it: icons for the services people actually use — calls, streaming, cloud, navigation — woven into patterns that move like signal and data. It’s a piece about connection, digital and cultural.

My role

Concept, illustration and graphic execution. We explored a few directions before landing on this one. 2024.

Key decisions
  • Treated every part like hand-laid glass or ceramic — rhythm, texture, flow — so a printed wall would still read as a real mosaic.
  • Pulled the palette from the feeling of digital connection: flowing patterns that move like signal waves.
  • Rooted the tech story in Tashkent’s own history — the city is full of Soviet-era mosaic facades, and I wanted this to belong to that lineage.
  • Printed and mounted on the side of the HQ: a wall became a story, a building became a beacon. Two years on, it’s still up and hasn’t faded.
Printed and installed on Beeline’s Tashkent HQ — still up, two years on.
Printed and installed on Beeline’s Tashkent HQ — still up, two years on.
The lineage: Tashkent’s Soviet-era mosaic facades.
The lineage: Tashkent’s Soviet-era mosaic facades.
Early sketch and the mosaic-pattern system.
Early sketch and the mosaic-pattern system.
From line to full colour.
From line to full colour.
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